Dr Les Joynes at National Museum of Taiwanese Literature in Taipei.
Education in Arts & Culture
Post-Doctorate, School of Art and Communications, University of Sao Paulo, Brazil
PhD, Faculty of Art, Environment and Technology, Leeds Metropolitan University, UK
MA Fine Art, Department of Sculpture, Musashino Art University, Tokyo, Japan
MA Fine Art, Goldsmiths, University of London
M.Sc Boston University and Vrije Universiteit Brussels Faculty of Economic & Social Sciences, Brussels, Belgium
BA (Hons) Fine Art, Central Saint Martins College of Art & Design, London
B.A. Cum Laude, History, Boston University, Boston
Taiwan Ministry of Education Huayu Scholar, National Cheng Kung University, Tainan
Erasmus Scholar, Department of Sculpture, Ecole Nationale Superieure Des Beaux-Arts, Paris.
Areas of Specialization
Comparative Art Histories: Modern to Contemporary (BA/MA/PhD)
Studio Art and Collaborative Practices (BA/MA/PhD)
Cultural and Creative Industries Entrepreneurship (MA/PhD)
Site-specific art and practice (BA/MA)
Masters and Doctoral Supervision (MA/PhD)
Workshops in Coaching and Intercultural Collaboration (MA/PhD)
Academic Positions
Research Scholar on Education, Department of Organization and Leadership, Columbia University (2022-2025)
Visiting Associate Professor, School of Art, Visva Bharati University Santiniketan, West Bengal, India (2022)
Fulbright-Nehru Senior Scholar on Art and Performance, Indira Gandhi National Centre for the Arts, New Delhi (2022), Fulbright Visiting Professor (SCA-RTB) University of Visual and Performing Arts, Colombia, Sri Lanka (2022), Fulbright Lecturer on Arts and Multilateral Public Diplomacy, Department of International Relations, University of Colombo, Sri Lanka (2022).
Highland Institute Fellow India (2022-present)
Professor of Record for American Modern and Contemporary Art History and Studio Practice, Renmin University (2013-2019)
ZERO1 Art and Technology/American Arts Incubator Artist (2019)
Visiting Professor of Cultural Entrepreneurship, Department of Art History, Peking University, Beijing (2018)
Postdoctoral Research Scholar, School of Communications and Arts (ECA), University of Sao Paulo, Brazil (2015-2017)
Research Scholar on multilateral arts collaboration, University of the Arts London Research Center on Transnational Art, Identity and Nation, London (2015)
Japan Ministry of Education and Culture Scholar on Japanese Art, Musashino Art University, Tokyo (1997-2001)
Academic Profile: Dr. Les Joynes
Dr. Les Joynes is an Art and Education Scholar, University Educator and Columbia University Research Scholar on Art Education.
Teaching in the arts and culture
Recipient of the Fulbright-Nehru Academic & Professional Excellence Award for India, he posted as Senior Scholar at the Indira Gandhi National Centre for the Arts, New Delhi and was Visiting Associate Professor of Art at Visva Bharati University. He has lectured at National Taiwan University of Education (NTUE), National Taiwan Normal University (NTNU) and National Sun-Yat Sen University, Taiwan.
He has also served as Professor of Record for Modern and Contemporary Art History at Renmin University of China, Beijing and Visiting Professor at the Institute for Cultural Industries at the School of Arts at Peking University (SAPKU). Also an art critic and visual artist, his work has appeared in Art in America, Springer, Art Monthly, Sculpture Magazine, Commons and Sense, CCTV, NHK Television. And at Columbia Global Centers Beijing. He serves on the Editorial Board ProjectAnywhere Journal at University of Melbourne, Australia.
At Columbia University he trained in advanced curriculum design for the future of art education and presented on future models for museums of the future in Asia at Museum 2050 Conference at the Long Museum Shanghai.
CV
Awards
Fulbright-NehruAcademic and Professional Excellence Award, India (2022)
Fulbright SCA-RTP Regional Scholars Grant for Sri Lanka (2022)
University of Indiana/ Nonconformist Museum St Petersburg Writers Grant (2022)
Highland Institute, India (Fellow) (2022)
US Department of State, Bureau of Education and Cultural Affairs Grant for Colombia (2020)
US Department of State, American Arts Incubator ZERO1: Art and Technology Artist (2019)
Fulbright Hays US Public Diplomacy Mission China Award (2017)
CEC ArtsLink Foundation Grant, St. Petersburg, Russia
Taiwan Ministry of Education (MOE) Language Scholar National Cheng Kung University (2016)
Renmin University of China Merit Award for Teaching (2017)
Wheatley Foundation Fellow, Birmingham City University, UK (2016)
US Department of State Field Research Fellow, American Center for Mongolian Studies (2016)
Royal Geographical Society of Great Britain (Fellow) (2016)
Royal Anthropological Institute (Fellow) (2016)
Fellow, University of the Arts London Research Center on Transnational Art, Identity and Nation (2015)
Fulbright Hays US Public Diplomacy Award for Mongolia (2014)
CEC ArtsLink Foundation Grant for Mongolia (2014)
Queenstown Council, Singapore Citation Award, Singapore (2009)
Edwin Austin Abbey Fellowship, National Design Museum, New York (2009)
Bauhaus Foundation Fellow, Dessau, Germany (2009)
Nordic Kunstnarcentrum/ Nordic Artists Center Fellowship, Norway (2008)
Musashino Art University Selection Award (2001)
Japanese Ministry of Education and Culture Scholar (Monbusho) (1998-2001)
Erasmus Scholarship, Ecole Nationale Superieure des Beaux-arts, Paris
King Sturge Award for Sculpture, London (1995)
Dr Joynes delivering keynote on Future of Art education at Peking University, Beijing.
Dr. Joynes lecturing to Renmin BA and MA students at Ullens Museum, Beijing.
About Dr. Les Joynes Dr. Joynes is a Columbia University Research Scholar specializing in the Future of Art Education. His innovative approaches in advanced curriculum design have set new benchmarks for art education globally. He is a recipient of the Fulbright-Nehru Academic and Professional Excellence Award for India, during which he served as a Senior Scholar at the Indira Gandhi National Centre for the Arts in New Delhi and as a Visiting Associate Professor of Art at Visva Bharati University. Originally from Santa Barbara, California - he has shared his time since 1983 between the Americas, Europe and Asia.
“Models for the Future of Work and Intercultural Collaboration” Dr. Joynes with MBAs at the School of Management, National Taiwan Normal University, Taipei.
Academic and Professional Engagements: Dr. Joynes has thirty years experience in research, teaching and engaging students. He has lectured at the National Taiwan University of Education (NTUE), National Taiwan Normal University (NTNU), and National Sun Yat-Sen University in Kaohsiung. His contributions to the academic community extend to China, where he was the Professor of Record for Modern and Contemporary Art History at Renmin University of China, Beijing, and a Visiting Professor at the Institute for Cultural Industries at the School of Arts at Peking University, Beijing. He also has lectured at the Cambridge University Centre for Research in the Arts, Social Sciences and Humanities, University of Lincoln, University of Coventry, Teachers College, the Bauhaus, Kookmin University, and Mongolia State University for Art and Culture, Ulaanbaatar.
Contributions to Art and Media: As an art critic and visual artist, his work has been featured since 1997 in prominent publications and media outlets including Art in America, Springer, Art Monthly, Sculpture Magazine, Commons and Sense, CCTV, and NHK Television. He serves on the Editorial Board for ProjectAnywhere, a peer-reviewed journal on artistic research at the University of Melbourne and Parsons School of Art, New York and was TrAIN Research Fellow at the Centre for Transnational Art, Identity and Nation at University of the Arts London. He recently reviews for the journal for Artistic Research (JAR).
Thought Leadership: At Columbia University's Teachers College, Dr. Joynes focuses on advanced curriculum design, preparing future educators to navigate and shape the evolving landscape of art education. His expertise was showcased at the Museum 2050 Conference at the Long Museum in Shanghai, where he presented forward-thinking models for the art schools and museums of the future.
Dr Joynes with MA and BA Students at Renmin University, Beijing.
Research Projects (1986-present)
The Highland Institute, Kohima, Nagaland (2022-present) Fellow researching Naga communities of practice, cultural identities and social welfare.
Fulbright-Nehru Academic and Professional Excellence Award (2020-2022) Research on South Asian Art, Performance and Ritual and Senior Scholar at Indira Gandhi National Centre for the Arts, New Delhi.
Columbia University, New York, NY (2009-present) Visiting Research Scholar. Course training in Diversity, Equity and Inclusion within organizations.Training in Curriculum Design (Teachers College), training in philosophy, art history, religion, entrepreneurship.
US Department of State and Bureau of Education and Cultural Affairs, Washington DC 2020-2021 US Public Diplomacy Projects Colombia
Smithsonian Institution, Washington DC. 2020-2021, Presenter on US-Mongolian cooperation. Fostering intercultural cooperation and research on local diversity and identity in Mongolia.
US Department of State, Washington DC and ZERO1, San Francisco 2019-2019 American Arts Incubator. Workshop training for cross-cultural fieldwork.
Institute for Cultural Industries, Peking University, Beijing, China 2017 Visiting Professor in Cultural Entrepreneurship. Engaged design-thinking and creative skills to teach a master-level entrepreneurship course on cultural entrepreneurship, museums and foundation creation and building cultural organizations.
Fulbright-Hays US Public Diplomacy (Mission China) Award, Beijing, China.2017-2017 Recipient of Fulbright-Hays US Public Diplomacy Award I directed the first US-China collaboration in performance. Supervised filmmaking team creating innovative performances at the Beijing Inside-Out Art Museum featuring US-Chinese performances on the Great Wall of China.
University of Melbourne and Parsons School of Design New York, and Melbourne, Australia 2015-presEditorial Board, ProjectAnywhere, 2015-present Executive member of the Board working with Board-members from the US, UK, Australia, UK, Germany supporting exciting global events, a peer-reviewed journal supporting research and advanced scholarship.
Royal Anthropological Institute of Great Britain London, UK 2015-pres Member of the Art and Anthropology Committee (Fellow 2015-present) Responsible for scholarly journal review, building international cooperation.
CEC Artslink, New York, NY Artist Selection Committee and Jury 2020 Responsible for selection of artists and art managers from Russia, Belarus, Ukraine, Georgia within US art museums and cultural organizations.
US Department of State sponsored ACMS Fellowship, Ulaanbaatar, Mongolia (2016) As Research Fellow initiated, planned and executed the first research on Arts Education in Mongolia. Led research team in Ulaanbaatar and liaised with US Embassy, three national universities and the Mongolian Minister for Culture. Produced comprehensive research supporting cross-cultural exchange between the United States and Mongolia.
Fulbright-Hays US Public Diplomacy Award, Ulaanbaatar, Mongolia (2014) Recipient of the Fulbright-Hays and CEC ArtsLink Awards to lead an overland expedition to Northern Mongolia to research the nomadic Tsaatan Reindeer herding communities of Northern Mongolia. Led five -member team from Germany and Mongolia. Liaised with Cultural Affairs Specialists at US Department of State and local organizations to produce the first US-Mongolian collaborative performances which featured at Zanabazar National Museum of Fine Art.
Research on performance and local Brazilian cultural identities, shamanism, and ritual (2013) Hemispheric Institute of Performance and Politics, Sao Paulo, Brazil, University of Sao Paulo, Brazil Workshop on performing identity. Brazilian Museum of Sculpture, Sao Paulo, Brazil
University of Sao Paulo, Brazil (2012) Post-doctoral research on identity and transcultural collaboration in Brazil. Awarded Post-doctorate Escola de Comunicações e Artes, Universidade de São Paulo
Eugene Lang Center for Entrepreneurship, Columbia University, New York, NY (2011) Research in Entrepreneurship at Columbia Business School. Teamed with second year MBA team to advise the Mayor’s Office in the City of New York. Liaising with Accenture and MTV, led creative initiatives for university involvement in NYC television initiatives. Conceived masterplan for NYC-wide television programming involving four universities and the creation of a sponsored chair for faculty.
Japan Ministry of Education and Culture Scholarship (MEXT), Tokyo, Japan (1997-2001) Conducted research on Japanese culture, aesthetics. Led curatorial and exhibition projects in Tokyo. Rearched new models for undergraduate teaching. Awarded university honors.
Cambridge University Centre for Research in Arts, Social Sciences & Humanities, Cambridge, UK (2015). Presenter on intercultural collaboration. Seminar on intercultural collaboration and performance arts
Young Researchers Conference, Ulaanbaatar, Mongolia (2015-2016) Conference Chair, 2016. Responsible for Conference with participants from eight countries. Building sustained communities of practice and professional development amongst researchers in the social and life sciences.
Bauhaus Foundation, Dessau, Germany and Singapore (2008-2009). Producer and Choreographer. Bauhaus Foundation sponsored research on community. Directed performance series inspired by Southeast Asian rituals.
Nordisk Kunstnarsenter Dale, Norway (2007) Artist selection team. Artist-in-Residence centre funded by Norwegian Ministry of Culture.
Inaugural Taipei Biennial, Tokyo, Japan (1998) Curatorial Assistant for Inaugural Taipei Art Biennial.
ICO (Tokyo) (1998-2004) Research on genetics, genomics and human healthcare. Contributed to three publications in Japan.
Management Research (Belgium and Germany) (1989-1992) Led research on competitive intelligence and strategy for multinational clients including 3M, Du Pont, General Electric, Dow, Bayer AG and General Motors Europe.
California Polytechnic State University, San Luis Obispo, CA (1988-1989) Co published research on systemic models for technology transfer (1990) with leading organizational behavior specialists Dr. Abraham Rami Shani Associate Dean of Faculty and Research at California Polytechnic State University. Graduated top of class in International Strategy.
Boston University and the Vrije Universiteit Brussels Faculty of Economic and Social Sciences, Boston and Brussels, Belgium (1986-1988) Advanced training in building cross-cultural cooperation within global organizations (M.Sc. 1988).
Selected Lectures and Workshops
2025 “Models for transforming art education in Mongolia”, Teachers College, Columbia University, New York
2023 “Coaching in Diverse Organizations”, National Taiwan Normal University, Taipei, Taiwan
2023 “Turning the studio inside-out”, National Taiwan Normal University, Taipei, Taiwan
2023 “Contemporary Arts and Climate Change”, National Sun Yat Sen University, Kaohsiung, Taiwan
2023 “Arts Models for intercultural Collaboration”, National Sun Yat Sen University, Taiwan
2022 “Rethinking UNESCO Heritage: Expansion of Durga Puja into the Modern Sphere”, MassArt, Kolkata, India
2022 “Envisioning Mentorship in Nagaland Tribal Communities”, Highland Institute, Kohima Nagaland, India
2022 “US-Indian collaboration in Education in India”, Vista-Bharati University, West Bengal, India
2022 “Imagining the Museum of the Future”, Colombo National Museum, Colombo, Sri Lanka
2022 “Interdisciplinary practices and artistic research”, University of Kelaniya, Sri Lanka
2022 “Collaborative arts as public diplomacy”, University of Colombo, Colombo, Sri Lanka
2022 “Artistic Research in Performance”, University of Visual and Performing Arts, Colombo, Sri Lanka
2022 "Curriculum Design and the Arts” (workshop), Gandhi Institute of Technology & Management, Visakh, India
2022 “Site Specificity in India”, Visva-Bharati University, West Bengal, India
2022 “Inspiring Education: engaging young people with global perspectives”, Vellammal Schools, Chennai, India
2022 “Photography and Memory of Disaster - Tohoku Reframed”, Cholamandal Artists Village, Chennai, India
2022 "Curating Site Specificity in India”, Visva-Bharati University, West Bengal, India
2021 Mutual Understanding in Underserved Communities in Colombia, US Exchange Programs.
2020 “Models to Transform arts in Mongolia” Smithsonian National Museum of Natural History, Washington DC
2019 ZERO1: American Arts Incubator, San Francisco, CA
2019 “Models for Intercultural Collaboration in the Arts and Culture”, Beihang University, Beijing, China
2018 “New Contemporary in China: Robert Rauschenberg in China”, Ullens Center for Contemporary Art, Beijing
2018 “Entrepreneurship and Beyond Design Thinking in Creative Industries”, Peking University, Beijing
2018 “Pioneering Doctoral Research in the Creative Industries”, Keynote, Peking University, Beijing
2018 Art and Social Practice Chair, ProjectAnywhere Conference, Parsons School of Art, New York
2017 "Performing Cooperation between China and the US”, Columbia University Global Center Beijing, China
2018 “New models for Chinese museum management”: Long Museum Shanghai, China
2017 “Futures of US-China collaboration in the arts” US Embassy and the Inside-Out Art Museum, Beijing, China
2017 “Curating Across Cultures”, Bard Smolny MA Curating Program, Saint Petersburg, Russia
2017 Inside-Out Art Museum, Beijing, China
2016 Young Researchers Conference, American Center for Mongolian Studies, Ulaanbaatar, Mongolia
2016 “Intercultural Collaboration Across Borders” College Arts Association, New York
2015 “Creativity as Intercultural Interface”, Teachers College, Columbia University
2015 “Performing cross-cultural spaces", Mongolian National University for Art and Culture, Ulaanbaatar
2015 “The Artist as Interface” Teachers College, Columbia University, New York
2015 “Models for Cross-cultural collaboration in Brazil and Mongolia” Cambridge University, UK
2015 Young Researchers Conference, Mongolian National University for Education, Mongolia
2015 Mongolian National University for Art and Culture, Ulaanbaatar, Mongolia
2015 “Artistic Research and Intercultural Collaboration”, University of the Arts London Research Centre for Transnational Art, Identity and Nation, UK
2014 Zanabazar National Museum of Art, Ulaanbaatar, Mongolia
2014 “Chinese arts and the foundations of Modernism” National Art Museum of China, Beijing, China
2014 College Arts Association Conference, Chicago, IL
2014 Chinese Art: Modern to Contemporary, National Art Museum of China, Beijing, China
2014 “US-Mongolian Collaboration Engaging Traditional and the Contemporary” Zanabazar National Museum of Art, Ulaanbaatar, Mongolia
2013 Hemispheric Institute of Performance and Politics and University of Sao Paulo, Brazil
2012 “Art Studio as Classroom Live”, Brazilian Museum of Sculpture, Sao Paulo, Brazil
2012 “Interdisciplinary Art as Research”, Lecture to MA Fine Art Course, Kookmin University, Seoul
2012 “Exploring site and local identity”, Seoul Foundation for Arts and Culture, South Korea
2012 "Performing the Museum,”Brazilian Museum of Sculpture, Sao Paulo, Brazil
2011 “Building links between university art programs and the City of New York”, Columbia University Eugene Lang Center for Entrepreneurship, New York
2010 Treignac-Projet, Correze, France
2009 “Studio as Nomadic Laboratory - Photography meets Performance”, Nanyang Academy of Art, Singapore
2009 “Performing Site”, La Salle College of Art/Nanyang Academy of Art, Singapore
2009 “Engaging Disappearing Sites”, Bauhaus Foundation, Singapore
2005 University of California Santa Barbara, CA
2005 MFA Final Year Critique, University of California Santa Barbara, California
2001 “New Contemporary: Japanese Pop Art and the Emerging Contemporary” Otis College of Art, Los Angeles
Museum Projects and Curating
2026 Inclusive Biennial, Colombo, Sri Lanka
2025 Lalitha Kala Akademi Museum, Kerala, India
2023 National Museum of Taiwanese Literature, Taipei.
2023 ByWood, Kaohsiung, Taiwan
2022 Bikaner House, New Delhi, India
2017 Inside Out Art Museum, Beijing
2014 Zanabazar Museum of Fine Art, Ulaanbaatar, Mongolia
2012 Brazilian Museum of Sculpture, Sao Paulo, Brazil
2010 Treignac Projet, Treignac, France
2009 Seoul Art Foundation, Seoul, South Korea
2009 Bauhaus CIAM Urbanisme X, Queenstown, Singapore
2008 Åmotgård Museum, Bygstad, Norway
1998 Inaugural Taipei Biennial “Sites of Desire”.
1997 Norimatsu Museum, Matsuyama, Japan
1998 Curator for 100 contemporary artists for UK-Japan Cultural Year, P-House Gallery, Tokyo, Japan
1997 Milch Gallery, London
1995 Galerie Gauche, Ecole Nationale Superieure des Beaux-arts, Paris, France
1993 Disclosure: New Contemporary Art from The Slade and St. Martins, London
Awards and Grants
2022 Fulbright-Nehru Academic and Professional Excellence Award (US Department of State)
2020 US Department of State, Bureau of Education and Cultural Affairs Grant for Colombia
2019 US Department of State, American Arts Incubator ZERO1: Art and Technology Artist
2017 Fulbright Hays US Public Diplomacy China Award
2017 CEC ArtsLink Foundation Grant, St. Petersburg, Russia
2017 Taiwan Ministry of Education (MOE) Language Scholar National Cheng Kung University
2017 Renmin University of China Merit Award for Teaching
2016 Wheatley Foundation Fellow, Birmingham City University, UK
2016 US Department of State Field Research Fellow, American Center for Mongolian Studies
2015 Fellow ,University of the Arts London Research Center on Transnational Art, Identity and Nation
2014 Fulbright Hays US Public Diplomacy Award for Mongolia
2014 CEC ArtsLink Foundation Grant for Mongolia
2009 Queenstown Council, Singapore Citation Award, Singapore
2009 Edwin Austin Abbey Fellowship, National Design Museum, New York
2009 Bauhaus Foundation Fellow, Dessau, Germany
2008 The Nordic Artists Center Fellowship, Norway
2001 Musashino Art University Selection Award
2001 Japanese Ministry of Education and Culture Scholar (Monbusho) (1998-2001)
1998 Japanese Ministry of Education and Culture Japanese Language Scholar (1997-1998)
1996 Academic Honours, Central Saint Martins College of Art, London
1995 Erasmus Scholarship, Ecole Nationale Superieure des Beaux-arts, Paris
1995 King Sturge Award for Sculpture, London
Conferences
College Arts Association (CAA), Chicago, (2022)
Fulbright Conference, New Delhi, India (2022)
ISEA International Symposium of Electronic Art, Asia Culture Center, Gwangju, Korea (2019)
Session-Chair, ProjectAnywhere Conference, Parson School of Art, New School, New York. (2018)
Plenary Keynote Speaker on PhD research, School of Art, Peking UNiversity, Beijing (2018)
Artist-centric practices within the museum, Museum2050, Long Museum, Shanghai (2018)
Co-Chair, Young Researcher Conference, Mongolia (2016)
International Committee, College Art Association conference (2015-present)
Japan Startup NYC, Microsoft, New York (2016)
Presidents Forum on Higher Education, Teachers College, Columbia University, New York (2016)
Keynote Speaker, Young Researcher Conference Mongolia
National University of Education and the American Center for Mongolian Studies (2015)
Royal Geographical Society Conference, London (2013)
Editorial Committee, ProjectAnywhere Conference, Parsons/ New School, New York (2015)
Panelist, Artists’ Workspaces: Portability, Contingency, Virtuality,
College Art Association conference, Chicago (2014)
Panelist Going Beyond: Art as Adventure (CAA, Washington, DC) (2018)
European League of Institutes in the Arts (ELIA) conferences, Seoul (2012) and Vienna (2013).
Selected Publications, Studies and Research
“Diversity, Equity and Creative Practices in South Asia” (2022) Jawaharlal Nehru University, New Delhi, India
“Reclaiming Artists Research” (journal review, 2020), Journal for Artistic Research, Basel
“The Artist-centric model in museums” in Looking to New Institutional Models: China’s Cultural Landscape by Mid-Century, Ching, N and Tanner, L, (eds), Long Museum, Shanghai (2019)
“Emerging models for teaching”, New York: Critical Practices (2019)
“The Artist as Explorer,” in Going Beyond: Art as Adventure (2018) O’Neill et al (eds.), Newcastle, UK: Cambridge Scholars.
Interfacing Technology with Site (2019) ISEA International Symposium of Electronic Art, Korea
DrawnOver: Contemporary Drawing, Vojvodina, Serbia: Museum of Contemporary Art [catalogue]. (Joynes and Vu, 2018).
“The Artist Explorer: FormLaboratory: Geographically Dispersed Performance in Brazil (2012-2013) and Mongolia (2014)” Sao Paulo, Brazil: Escola de Comunicações e Artes, Universidade de São Paulo [post-doctoral thesis].
Anywhere v.1. (2015). Lowry, S. and Douglas, S. (eds.),Melbourne, Australia: University of Melbourne and New York: Parsons School of Art, Media and Technology, Parsons, New School for Design, New York.
“The Artist as Explorer,” Washington D.C.: College Arts Association Conference
Les Joynes and Thomas Vu in Interview” in Draw: Artists from China at Inside Out Art Museum, New York: LeRoy Neiman Foundation [catalogue].
“FormLaboratory” in Art and Research at the Outermost Limits of Site Specificity (2014) Lowry, S and Douglas, S. (eds.). Newcastle, Australia: Univ. of Newcastle. Joynes, L. (2014).“Nomadic and Geographically Dispersed Practice,” Chicago: College Arts
New Institutional Models: China’s Cultural Landscape by Mid-Century, Long Museum, China (2018)
Going Beyond: Art as Adventure, O’Neill, R et al (eds), Cambridge Scholars, UK (2018)
“The Invisible and the Transvisible in contemporary art in Singapore,” in Octopus, Journal for Visual Culture: University of California, Irvine
"Multi-spatial Performance: at Bauhaus-Dessau, November 2008: Record Dances, Bühnenstudios der Stiftung Bauhaus Dessau [Internet].
“Some Say They Did: Some Say They Didn’t, Contemporary Art of Yoshitomo Nara at Ginza Art Space” New York: Art in America.
The New Pathetic: Contemporary Art in London, Springer [magazine], Hamburg, Germany (1997)
“Emerging materials applications in sound: use of polycarbonates and semiconductors for digital audio” Brussels (1991)
“The future of postgraduate Management Education Programs, Boston University (1987)
Juries and Editorial Boards
Senior Reviewer, Japan Contemporaries, New York (2024-present)
Fulbright National Election Committee (2024-2027)
Editorial Board Member for ProjectAnywhere [journal] University of Melbourne and Parsons School of Art, New York (2015-preent)
CEC ArtsLink Jury Reviewer for Artists, New York (2021)
CEC ArtsLink Jury Reviewer for Art Managers, Curators, New York (2021)
Art and Anthropology Committee, Royal Anthropological Institute of Great Britain, London (2020-present)
Nordic Artist Center, Selection Committee, Norway (2008)
Harlem Arts Alliance Grant Selection Jury, New York (2010)
Artist Residencies
National Museum of Taiwanese Literature, Taipei (2023)
By Woods, Kaoshiung Sugar Refinery, Kaohsiung, Taiwan (2023)
Inside Out Art Museum, Beijing (2018)
CEC-Arts Link, St. Petersburg, Russia (2017)
Fundação Armando Alvares Penteado, São Paulo, Brazil (ResArtis, 2013)
Seoul Foundation for Art and Culture, Seoul, Korea (ResArtis, 2012)
FormLAB, Brazilian Museum of Sculpture (2012)
Treignac Projet, France (2010)
Toosneger Foundation-Dordrecht Printmaking and Painting Residency, Holland (2008)
Abbey Fellowship in Public Art, National Academy Museum, New York (2009)
Nordic Artists Center (NKD), Dalsasen, Norway (ResArtis, 2008)
Nagasawa Woodblock Printmaking Fellowship, Awaji, Japan (2006)
Poznan Summer Academy Residency, Poznan, Poland (1993 and 1994)
Selected Publications and Papers in Technology and Sciences
Joynes, L. et al (2007) “Environmental Systems and Cost Analysis for LEED Manufacturing-Competitive Strategies, New York.
Joynes, L. (2004) Ethics and Genetic population testing - engineering best practices in the US and Iceland
Joynes, L. (2004) “Bringing Intelligent IT interface to human healthcare” Legislation of genetic testing in the US and Iceland: Legislative Implications and Strategies.
Joynes, L. (2003) Bringing Intelligence to the technological interface between technology and interface in Japan (2003)
Joynes, L. (2002) “Intelligence, technologies and applications to genomics” Tokyo, Japan
Joynes, L. (2002) Legislation of genetic testing in the US and Iceland: Legislative Implications and strategies, Tokyo, Japan
Joynes, L. (2003) Clinical research development in human aging sciences, Tokyo, Japan
Joynes, L. (2001) The Human Genome: Areas of Light and Shadow (E.Kon et al, Shokabo Publishing), Tokyo
Joynes, L .(2003) “Clinical research development in human aging” Tokyo, Japan.
Joynes, L. (1998) Scientific Journal Editing, Tohoku University, Japan.
Joynes, L. (1991) “Emerging materials applications in sound: use of polycarbonates and semiconductors for digital audio” Brussels, Belgium,
Joynes, L.(1991) “Resourcing Tetra-butyl hydro-peroxide for radical polymerization initiators Brussels, Belgium.
Joynes, L, and Shani, A (1990)” Managing The Technology Transfer Process: The Parallel Learning Mechanism, Seoul, Korea: Dankook University Press.
Joynes, L.(1990) Competitive Strategies and Climate in Transnational fiber-optic technologies, Brussels.
Joynes, L.(1990) ” Radiative mineral spectrometry and refraction technologies”. Brussels.
Joynes, L.(1989) “Petroleum and derivatives competitive analysis:Europe”, Brussels.
Joynes, L.(1989) Introducing eco-recyclables into automobile manufacturing” Brussels.
Joynes, L. (1987) “Survey on European Post-Graduate Education Programs, Boston University.
Professional Affiliations
College Arts Association, New York
Columbia University Global Centers, New York
Explorers Club, New York, NY (Artist Fellow)
Fulbright Association, US
National Cheng Kung University, Tainan, Taiwan
ProjectAnywhere, Parsons/New School, New York
Renmin University of China Beijing, China
Royal Geographical Society of Great Britain, London, UK (Fellow)
Royal Anthropological Institute of Great Britain, London, UK (Fellow)